Mats Gustafsson & Craig Taborn - Ljubljana

Label/Year: Clean Feed, 2017

Lineup - Mats Gustafson: saxophone; Craig Taborn: piano.

craig-taborn-mats-gustafsson-ljubljana

Swedish saxophonist Mats Gustafson and American pianist Craig Taborn, two dauntless explorers with an accentuated inclination for avant-garde jazz and free improvisation, had never joined forces until the 2015 Slovenia Jazz Festival. 
That singular happening, a live duo performance completely improvised was turned into a two-long-track vinyl record, entitled Ljubljana, which is now available on the Portuguese label Clean Feed.

While this is the first move of the year for the prolific saxophonist, the highly in-demand pianist saw his magnificent album, Daylight Ghosts, coming out on the ECM label three months ago. 

The Eyes Moving Slowly”, the opening and lengthiest track at over 20 minutes, begins with Taborn’s dark combination of bass notes while Gustafson sneaks in with a few air blows. A few minutes later, the latter unleashes the beast in him, showing us the power of his baritone saxophone through vociferous deep-toned outcries that can be tied in with pain, pleasure, or fear. At this phase, Taborn embraces the macabre scenario by creating continuous murky textures of distinct intensities. The verbal fury is gradually mitigated, opening space to a punctilious pianism supported by single-note lines rather than wider chords. Simultaneously, Gustafson plays with timbres and explores sounds of various kinds. The tune ends up in an oddly disjointed dance.

The almost-18-minute “The Ears Facing the Fantasies” starts out through (un)geometric figures engendered by Taborn, who takes in Gustafson’s attacks with a ceaseless, self-ruling posture.
The saxophonist puts into practice a variety of extended techniques - his famous slap and flutter tonguing, roars, growls, and whistles. He complements all this with rapid-fire phrases and the sound of his own voice. Moods range from dense/grotesque to minimalistic/graceful.

The liberties arise with an opulent fervency, drawing intense musical moments that could make this record a hard nut to crack, especially if taken by someone whose taste falls out of the free jazz circuit.

Favorite Track:
01 – The Eyes Moving Slowly