Label: Edition 46 Records, 2018
Personnel - Tim Harrison: piano; Mark Wade: acoustic bass; Scott Neumann: drums.
Mark Wade is a proficient double bassist and composer who has been playing in NYC for two decades, showing off his fluid, athletic sound. The follow-up to his widely recognized debut album, Event Horizon, is entitled Moving Day and like its previous, features a classic trio with Tim Harrison and Scott Neumann on piano and drums, respectively. Together, they achieve an impressive triangular tightness that can be heard without delay on the first track, the 6/4 post-bop wonder that gave the album its title. It kicks off with the pianist delivering an ostinato, which, minutes later, is reutilized by the bassist to install the groove. The bandleader, embarking on an effusive back-and-forth solo, discharges melody and rhythm aplomb, and the energy doesn't faint when Neumann unleashes his clear-sighted chops over a rock-inflected vamp.
These soloists are furiously active again on “Wide Open”, a pretty straightforward tune with a catchy piano riff and a gorgeous rhythm that brings a scent of R&B and soul to the jazz-rock stamina that sustains its core. I thought of it as a crossing between Stevie Wonder and Chick Corea.
Borrowing melody from Debussy’s “La Mer”, “The Bells” is an imaginative waltz encompassing glorious suspensions and a chamber-esque sparseness created by the bowed bass. On top of this musing, Harrison’s left-hand onrushes are perceptible on the lower register, bringing McCoy's technique to the mind. The coolness of the piano solo sparks nice melodies while the brushwork of the drummer is noticeable throughout the bass solo.
Wade devised new shiny outfits for a couple of jazz standards, with “Another Night in Tunisia” being shuffled in tempo while maintaining the strong Latin affinity present in Dizzy’s original, and “Autumn Leaves” being subjected to a successful reorganization to include Herbie Hancock’s “Maiden Voyage”.
Virtuosity and creativity also reign on “Midnight in the Cathedral” in which the band plunges into a dense modal spirituality. Although honoring medieval music, I sensed it more like a mantra-based chant within a style that reminisces Alice Coltrane.
With disparate natures, “Something of a Romance” and “The Quarter” are a medium-tense ballad and an elated march, respectively. The latter has a decompressing effect, displaying occasional bluesy flourishes and a more traditional flow that feels as humorous as the compositions of drummer Matt Wilson.
With an impressive command of his instrument, Wade takes his tightly-knit acoustic trio beyond stereotyped formulas or just simplistic reinterpretations of known songs. Moving Day is a dazzling testament to his evolving artistry, where inventiveness is on full display.
01 - Moving Day ► 02 - Wide Open ► 03 - The Bells