Jon Cowherd Trio - Pride and Joy

Label: Le Coq Records, 2022

Personnel - Jon Cowherd: piano; John Patitucci: bass; Brian Blade: drums - with guests Chris Potter: tenor and soprano saxophones (#1,2,5); Alex Acuna: percussion (#1,2,5). 

Pianist/composer Jon Cowherd is known for employing a fluid language and sincere approach to the keyboard. Pride and Joy showcases his fantastic trio - with bassist John Patitucci and drummer Brian Blade - attacking eight tracks that show their powerful chemistry and technical wizardry. The album celebrates the pianist’s two-and-a-half-year-old daughter on one hand, also signaling his recent move from New York City to Grand Junction, Colorado. 

The opening track, “Grand Mesa” reflects this new environment - surrounded by mesas and red mountains - he currently enjoys with his family. This is the first of three pieces where the trio is augmented by two distinguished guests: the powerful saxophonist Chris Potter and the understated percussionist Alex Acuña. 

An out-of-time post-bop outlook prevails on the formerly described tune, as well as on “Little Scorpio”, which gently develops in seven with a perfectly singable soprano sax melody on top of a tight chordal sequence; and also on the title track, another soulful effort that crackles with energy, especially in the vamp toward the end where Potter blows with verve and stamina. Both these numbers refer to Cowherd’s daughter, Simone.

Patitucci and Blade confirm their highly musical association through elegant underpinnings that elevate the trio pieces, namely Cowherd’s “The Colorado Experiments”, which, surrounded by an impressionistic aura, carries echoes of Chick Corea; and “Chickmonk”, Patitucci’s double tribute to the just mentioned pianist and Thelonious Monk. Here the trio opens up by delivering loose-limbed solos with a swinging posture. 

Waltzing with a dragging beat and demonstrating control at every point, “Honest Man” was written for Cowherd’s first jazz teacher, Ellis Marsalis. The album finishes in solo piano mode with “Quilt City Blues”, which Blade composed for Cowherd. Both share more than two decades of musical partnership.

Rooted jazz lineage branches out in all directions over the course of a repertoire that, not being surprising, feels all the more compelling for moving effortlessly between written passages, spontaneous interactions, and individual statements.

Favorite Tracks:
01 - Grand Mesa ► 03 - The Colorado Experiment ► 05 - Pride and Joy