Label: Intakt Records, 2025
Personnel - James Brandon Lewis: tenor saxophone; Aruán Ortiz: piano; Brad Jones: bass; Chad Taylor: drums.
James Brandon Lewis, a disorienting, self-possessed tenorist who has garnered a great deal of attention through his various projects and collaborations, returns with his fifth quartet album, Abstraction is Deliverance, featuring eight of his own compositions and a modal post-bop cover. Rejoining him are pianist Aruán Ortiz, bassist Brad Jones, and drummer Chad Taylor. Their rapport and musicianship are more compelling than ever, and their ability to transcend and marvel with spiritual consciousness, a mix of traditional and modernist idioms, and rich timbres is truly remarkable.
The album opens in a modal mode with “Ware”, a tribute to the much-missed saxophonist David S. Ware, radiating Coltranean overtones throughout. Resonant bowed bass, cymbal splashes, soulful saxophone lines, and a dynamic yet fully breathable piano accompaniment set the tone. A soothing bass groove then paves the ground for Lewis’ improvisation, followed by Ortiz’s combination of nimble single-note runs and grandiose harmonic gestures.
On “Per 7”, the group forges a rare symbiotic connection in a piece commanded by Lewis and further shaped through slow rubato movements. There’s ample space for his relaxed blues-inflected chops, often answered thoughtfully by Ortiz. The reflective “Even the Sparrow” recalls Alice Coltrane’s Eastern-inspired musings, feeling openly mantric while flowing steadily under Taylor’s masterful mallet and hi-hat pulse.
“Remember Rosalind” palpitates with odd meter, unfolding in the spirit of Charles Lloyd through a polyrhythmic blend of spiritual jazz with Eastern and Latin tinges. The title cut, “Abstraction is Deliverance”, opens with a theme rich in classical influence, recycling it at every 20-beat cycle before expanding through Lewis’ authoritative, fiery saxophone—brimming energy and wisdom. If “Mr. Click”—beginning with sax over drums and featuring a vivid bass solo against exquisite harmonic constructions—evokes the sonic world of Sonny Rollins, then “Left Alone”—a luminous 3/4 modal reflection co-written by Mal Waldron and Billie Holiday in the late 50’s—elevates the album to transcendental brilliance with its delicate yet profound arrangement.
This jaw-dropping recording, both technically immaculate and artistically impressive, mesmerizes from beginning to end, inviting the listener to soar in spirit and thought. With this release, Lewis’s acclaimed quartet brushes against celestial perfection.
Favorite Tracks:
02 - Per 7 ► 04 - Remember Rosalind ► 05 - Abstraction is Deliverance ► 08 - Left Alone