Label: Self produced, 2019
Personnel - Ken Aihara: piano, keyboards; Bob Lanzetti: electric guitar; Evan Marien: electric bass; Marko Djordjevic: drums.
New York-based Japanese keyboardist Ken Aihara doesn’t hide his deep affection for jazz-rock fusion, taking us in a multi-dimensional journey with Multiverse, a work inspired by role-playing games. Over the course of this symphonic combustion of jazz, rock, and classical elements, he plays alongside Snarky Puppy’s guitar man Bob Lanzetti, bassist Evan Marien, and drummer Marko Djordjevic.
Initially surrounding us with mysterious clouds of synth, the 11/8-metered “Ice Mountain” displays punchy, groovy bass lines delineating its elliptical trajectories. Every variations and texture reminding us of the universes of Herbie Hancock, Mahavishnu Orchestra, Weather Report, and Return To Forever. In the heels of Aihara’s polyrhythmic jazzy solo, Lanzetti sets off for a synth guitar expedition full of mystery, and the song ends shortly afterward, in a sort of indefinite suspension with the drummer in a busy circumstance.
“Whale” releases strong emotional currents through its passages. The bandleader excels here, whether coordinating fast ostinatos and nimble chords with impressive self-sufficiency or exploring freely with in/out focus. This is intense music with a powerful magnetic appeal and stunning effectiveness.
Inspired by time-space correlation as well as past and future, the progressive 5/8 “Spatio-Temporal Wanderer” blends analog and digital sounds and features blazing improvisations from Lanzetti and Aihara. Given a more spacious background, Marien finishes the improvisational section with a discourse that goes from succinct and compact to long-winded and widespread.
The bandleader opened up about his intentions to make “Theia Impact” the catchier rock fusion song on the album. And he achieved that feat! With a triumphant riff shining on top of cutting-edge rock chords, this is so much fun for the ears. Alternating tasteful dynamics, the tune is also buoyed up by adventurous eruptions from guitar and keyboard.
The conclusion arrives with “Ridge Black”, a rhythmically defiant composition that vouches for dancing as a natural reaction to what it proposes. If Djordjevic’s choppy drumming is highlighted throughout, Aihara’s piano whirls faster than a speeding bullet.
As a talented musician and deft composer, Ken Aihara will easily conquer fusion audiences. His Multiverse provides an exciting experience as it illustrates complex parallel realities through imaginative sonic scenarios.
02 - Whale ► 04 - Theia Impact ► 05 - Ridge Black