Label: Self Produced, 2019
Personnel – Ayumi Ishito: tenor sax, celesta; Hajime Yoshida: electric and acoustic guitar; Steve Brickman: keyboards, piano, organ, synthesizers; Yoshiki Yamada: electric bass; Carter Bales: drums; Alessandra Levy: vocals.
Based in Brooklyn since 2010, Ayumi Ishito is a Japanese-born saxophonist/composer whose spunky style consists in a contemporary amalgamation of genres with a profusion of mood changes and predicated in demarcated structures that involve both group texture and individual improvisation. Her sophomore album is called Midnite Cinema and, contrary to her debut trio album, features a supple quintet with guitar, keyboards, bass, and drums.
The first two tracks, “Lost Sheep” and the adventurous “Caterpillars”, follow similar methodologies, shifting time signatures and sharing a common denominator: progressive rock. Still, their passages vary in style, and in the case of the former piece, propelled by a pumping bass, you even get a bit of R&B in the 4/4 section, sax ostinatos over a more commercial hard rock approach, and an openly groovy solo by keyboardist Steve Brickman, who takes us to a psychedelic electro-funk crescendo. He delivers again on the classic metal-tinged “Under the Raff”. The cinematic “Caterpillars” even brings other elements in, like when a brief soft popish moment blows in after an accented, in-your-face rhythmic passage that is no more than a breath away from prog-rock. There’s also a gritty sax solo dipped in effects running on top of a rock-solid vamping that veers into another vamp to feature guitarist Hajime Yoshida and his patterned metal licks. Guest vocalist Alessandra Levy makes an impact, fortifying the obscure choruses suitably arranged by Brickman.
“Not Today” is an indie pop song that starts like a lullaby, but gets Ishito’s wah-wah-drenched saxophone speaking expressively in the guise of a guitar. If simplicity is the word that better fits here, then “Clown Ride” feels like a kitsch cocktail of genres where everything is taken to the extreme with soft pop/rock, slippery American marching extravagances, bolero sumptuosity, and avant-garde pompousness.
Even a bit too strained sometimes, compensation arrives from “Antler Velvet”, which boasts a jazzy atmosphere in tones of ballad along with a fancy crawling beat, and “Eight Steps”, a wider step into the free/avant jazz universe where enthusiastic galloping runs contrast with darker sounds. At this point, Ishito maximizes timbral work and evokes Coltrane, while a toxic guitar noise gradually infiltrates, shoving its way toward the final.
Conceived with a mix of sly wit and calculated naivety, Midnite Cinema is rigorous fusion with uncountable transitions and some peremptory unexpected turns.
03 - Not Today ► 04 - Eight Steps ► 06 - Antler Velvet