Label: Ridgeway Records, 2020
Personnel includes - Edward Simon: piano; David Binney: alto sax; Mark Turner: tenor sax; Adam Rogers: guitar; Luciana Souza: vocals; Gretchen Parlato: vocals; Avishai Cohen: bass; John Patitucci: bass; Scott Colley: bass; Larry Grenadier: bass; Brian Blade: drums; Adam Cruz: drums; Eric Harland: drums; and more.
Venezuelan-born pianist/composer Edward Simon has long established a successful career in the US with collaborative associations with saxophonists David Binney and Mark Turner, bassists John Patitucci and Scott Colley, drummers Brian Blade and Adam Cruz, among others. For this double-album, a conscientious compilation of his busy 25-year activity, 17 tracks were culled from his discography in order to represent his artistic path throughout the years.
His hybrid sound conceptions, perfectly blending contemporary post-bop and Latin American tradition, are on full display in cuts like “Fiestas” and “Pere”. In the latter piece, we find excellent improvisation from Simon and Binney in addition to sharp parallel melody and a gorgeous rhythmic atmosphere. The vertiginous episodes triggered by the alto saxophonist are strongly felt on other pieces like “Aguantando”, persuasively introduced by Adam Rogers’ acoustic guitar; “Uninvited Thoughts”, whose melody embraces Arabian flavors over a bass pedal; and the live-recorded “Venezuela Unida”, whose metric flexibility and arrangement (with four horns on board) are marvelous.
There’s also “Barinas”, an animated world fusion effort that incorporates harp, flute, bass clarinet and cuatro, a Latin American stringed instrument that confers it a flamenco-like impression.
One of my favorite pieces is “Pathless Path”, an indefatigable trio exploration with bassist John Patitucci and drummer Brian Blade, which is gradually magnified in terms of emotion and intensity. Patitucci is also featured on “Navigator”, another trio effort with intricate rhythmic punches. On this one, he teams up with drummer Eric Harland.
Saxophonist Mark Turner displays his soloing talents on “Ericka”, a Keith Jarrett-influenced song composed by Simon’s older brother, Marlon; as well as on two folk-imbued compositions culled from Simon’s debut work: “Alma Llanera” and “Caballo Viejo”, a Venezuelan joropo written by Pedro Elias Gutierrez and a ballad, respectively.
“Govinda”, a zen inspiration delivered in a pure 5/4 relaxation, features the vocal aptitudes of Luciana Souza over the methodically arpeggiated piano and subtle guitar flourishes.
This enjoyable musical portrait serves as a representative sampler not only for listeners who are already familiar with Simon’s music, but also those who are willing to discover his work.
Favorite Tracks:
06 - Pathless Path (CD1) ► 07 - Pere (CD1) ► 07 - Venezuela Unida (CD2)