Marilyn Crispell / Thommy Andersson / Michala Ostergaard-Nielsen - The Cave

Label: ILK Music, 2025

Personnel - Michala Ostergaard-Nielsen: drums; Marilyn Crispell: piano; Thommy Andersson: bass.

Danish drummer and composer Michala Ostergaard-Nielsen anchors her trio— formed in 2022—with Swedish bassist Thommy Andersson and American pianist Marilyn Crispell. Her vision and compositional approach are evident throughout eight original compositions, which alternate between simple motifs and more through-composed material. In both cases, the trio strikes a refined balance between sophisticated craftsmanship and free improvisation.

The introspective title track, “The Cave”, is marked by Crispell’s spacious melodicism, later joined by delicate bass underpinning and softly brushed drums. After the halfway mark, the trio converges in a glowing, unified radiance. “My Spirit Heart” is a multifaceted, all-acoustic number that incorporates the strumming and plucking of piano strings to produce an alternative sonic texture.  Metallic timbres from percussion and cymbals, along with loose, woody bass plucks complete a soundscape that feels uniquely adventurous. The group’s sound converges into something relaxingly prayerful in the spiritual line of Alice Coltrane, and the theme carries intricate lyricism beneath the trio’s artful chamber-improv stylings.

The amphibious and contemplative “T.B.A.” launches with ringing tones and evolves into percussive effervescence and cymbal scratches, while “Into the Light” feels extravagantly ethereal, centered around a bass pedal continuum and a careful blend of grand and toy piano sounds.

Both “Nine Tone Story” and “A Smile of a Butterfly” stand out as highlights. The former—steeped in angularity and packed with explosive energy—features fragmented bass articulations, irregular drum patterns, and spontaneous piano fluctuations. The latter achieves a mantric trance through resonating gongs and piano in consonance, gradually expanding into harmonic territory with a curved, balladic sensibility.

There’s still room for two improvised pieces: “Improv #1” presents Andersson in a solo bass soliloquy, while “Improv #2” builds layers of percussion that crinkle, crackle, rattle, and shimmer. These three kindred, freethinking spirits can harmonize with a beautiful melody in one moment and paint boldly outside the lines in the next. They do both with equal confidence and passion.

Favorite Tracks:
02 - My Spirit Heart ► 05 - Nine Tone Story ► 08 - A Smile of a Butterfly