Label: Pyroclastic Records, 2022
Personnel - Ches Smith: drums, vibraphone; Mat Maneri: viola; Craig Taborn: piano; Bill Frisell: guitar.
Drummer, vibraphonist and composer Ches Smith is a necessary voice in today’s creative music scene, regardless of the context he operates. After collecting critical acclaim last year with his Vodou-inspired project We All Break, he returns to the minimally written, impeccably structured pieces that marked his ECM debut album The Bell, which featured violist Mat Maneri and pianist Craig Taborn. For Interpret it Well, his sophomore release on Pyroclastic Records, this trio is augmented with the natural talents and textural vastness of the great guitarist Bill Frisell.
Patiently built, the title cut is patterned with relaxed ostinatos at the outset, evolving to a passage that echoes playful guitar, tearful viola and cymbal washes. This happens before an elaborate solo piano mosaic deftly adorned with electronics. Deliciously warped sequences of electrified guitar and viola navigate a stratum of cyclic harmonies and dynamically sculpted drum sounds. It grows steadily until the climax is reached right before the end.
Equally amazing is “Mixed Metaphor”, which, at 16:26 minutes, is the longest piece on the album. The self-possessed Frisell enters solo, describing idyllic landscapes with beauty. All the same, and almost furtively, an odd-metered groove forms in the background, supporting Maneri and Taborn's statements. There’s a change of groove in the final section that is well capable of surprising you with balanced flavors of avant-jazz, rock, and electronica.
The resultant combination of sounds is awesome to behold, and comes to the fore during the colorful three-part suite “Clear Major”. Smith’s love for exquisite rhythm is mirrored here as the quartet explores thoughtful movements that fluctuate in tempo, texture and intensity. Taborn’s kinetic mesh plums and propels; Frisell’s harmonics have a huge dramatic impact; Maneri brings a lot of sentiment to the music; and Smith’s restless drum work is packed with energy. The narrative thrust of each player is simply remarkable.
“Morbid”, a gesture-driven piece, carries a doleful monochromatism at its core, whereas “I Need More” - playing with tempos that slide under our feet - denotes a credible affinity with the avant-garde while its theme slips over a defiant prog-rock-like tapestry. Subsequently, it dives into fluffy contemporary classical clouds. Labeling this music can be somewhat reductive of the wide open span of originality and stimulus proffered, but what’s important here is that Smith continues to expose his musical excellence with another exceptional and fully realized recording. And what a skilled instrumentalist and imaginative composer he is!
Favorite Tracks:
02 - Interpret it Well ► 03 - Mixed Metaphor ► 05 - Clear Major