Label: ECM Records, 2022
Personnel - Jon Balke: keyboards, electronics, tombak; Mona Boutchebak: vocals, kwitra; Derya Turkan: kemence; Bjarte Eike: baroque violin; Helge Norbakken: percussion; Pedram Khavar Zamini: tombak; Per Buhre: vocals, viola + Barokksolistene (string ensemble)
Norwegian avant-garde keyboardist and composer Jon Balke returns to his world music-influenced project Siwan after an interesting solo album released in 2020 called Discourses. Following up the releases of Siwan in 2009 and Nahnou Houm in 2017, Hafla marks his third outing with this international collective, which hybridizes baroque, Andalusian and improvised music with dazzling originality.
Working with the words of 11th-century Andalusian poet Wallada bint al-Mustafki, the ensemble steps into world fusion erudition with the hypnotic “Terraquab”, narrated by the Algerian singer Mona Boutchebak. The versatile vocalist sings in Arabic and Andalusian Spanish on “Arrihu Aqwadu Ma Yakunu Li-Annaha”, where evocative strings fill the spaces left by her voice.
A trio of pieces delivered with a three time feel and relevant arrangements catch the ear. They are “Enamorado de Jupiter”, where the kemence of Derya Turkan stands out; “Saeta”, an instrumental number with aesthetic contrapuntal discernment; and “Uquallibu”, a poetic stunner entrancingly described with restrained dynamic range and bass lines that shimmer rather than pulse.
Faithful to his principle, Balke celebrates the concept of coexistence and cooperation between different people with an elegant intersection of musical cultures. “Linea Oscura” emerges with a spellbinding Middle Eastern tinge, being propelled by the incredibly rhythmic carpet laid down by percussionists Helge Norbakken and Pedram Khavar Zamini. Built with intimate detail, “Mirada Furtiva” showcases the capacity of Boutchabek, who composed it, to bring together the voice and the Algerian lute into harmonious consonance. Here, Balke provides a surprising counterpane of enveloping keyboard. The variations might seem minimal, but “Visita” carries a much more commercial bait than the dramatic lament “Is There No Way” (sung by violist Per Buhre), or the cinematic impressionism of “Wadadtu”.
All things considered, Hafla won’t necessarily have an impact on everyone, but that doesn’t lessen the discipline and significance of Balke’s achievement.
Favorite Tracks:
02 - Enamorado de Jupiter ► 07 - Linea Oscura ► 09 - Uquallibu