Label: Sunnyside Records, 2024
Personnel - Brandon Ross: electric guitar, soprano guitar, vocals; Graham Haynes: cornet, electronics; David Virelles: piano, keyboards; JT Lewis: drums; Hardedge: sound design.
American guitarist Brandon Ross ventures into the realm of free experimentalism with Phantom Station, a project that originated as a duo with sound designer Hardedge but has now expanded into a quintet with the addition of seasoned cornetist Graham Haynes, skillful Cuban pianist David Virelles, and versatile drummer JT Lewis. Off the End is a sprawling live suite that spans over an hour, exploring a spectrum of dark musings and illuminated spaces for contrast.
Working in the moment, the group creates spontaneously, guided by the feeling in hand and intuition. “May Forever Pass Between” opens the album with percussive chops and enigmatic sounds, including eerie whistles and high-pitched vibrations, courtesy of Hardedge and Lewis. The highly explorative “Through the Heart of my Demarcation” unfolds with long cornet notes and intermittent electronic drones, evoking a dark ambient atmosphere propelled by Lewis’ rolling rhythm. Virelles demonstrates why he’s a sought-after pianist, throwing blobby bass lines with his left hand, and then whirling at full speed with the right. At this point, the density is thick, further escalated by Ross’ distorted surges. The piece culminates in a mystery redolent of Badalamenti’s Twin Peaks film score.
“The Gate is Open” introduces vocals by Ross, accompanied by synth undulation, bluesy guitar cries, and apt cornet melodies for a smooth atmospheric texture. “Your Shoes Point Like Arrows” relies on a deep drone substratum to support Haynes’ remarkable upper-register blowing, occasional piano bursts, and caustic guitar incisions. Akin to the latter, Ross summons up a dense nest of notes (this time playing soprano guitar) on “I Can See All of This”, whose gleeful balladry becomes harmonically palpable thanks to Virelles’ brilliant work. Yet, Haynes is off-the-hook here, transcending cliché with unimaginable note choices. It all moves toward a loose end with noodling guitar, utopian piano perspectives, and coruscating brushwork.
Right after the doleful “How Will I Ornament Your Mouth”, comes “Sometimes I Stand Behind You”, which features stark counterpoint and shifting rhythmic cadenzas. However, the standout piece is “Leave it on the Ground”, an avant-garde, sometimes-bluesy affair underpinned by loose-limbed brushes and irregular piano chords, allowing ample room for responsiveness, fragmentation, and diffusion.
Navigating between light and darkness, Brandon Ross Phantom Station delivers a ceremony that is both loose-jointed and tightly focused, revealing a fearless spirit unbound by stylistic constraints.
Favorite Tracks:
04 - Your Shoes Point Like Arrows ► 05 - I Can See All of This ► 10 - Leave it on the Ground