Label: ECM Records, 2024

Personnel - Thomas Strønen: drums, percussion; Craig Taborn: piano; Chris Potter: tenor and soprano saxophone; Sinikka Langeland: voice, kantele; Jordy Rossy: piano.

Between 2018 and 2022, Norwegian drummer Thomas Strønen invited four accomplished musicians to contribute to his latest album, Relations. Each responded to pre-recorded drum tracks with complete creative freedom. Pianist Craig Taborn and saxophonist Chris Potter recorded their parts from New York, vocalist and kantele player Sinikka Langeland from Oslo, and Barcelona-born multi-instrumentalist Jorge Rossy, playing piano exclusively, from Basel. The resulting work comprises two solo percussion tracks and ten duets that, while not adhering to conventional jazz formats, explore unique sonic landscapes.

The album opens with “Confronting Silence”, a solo piece by Strønen. Vibrant metallic gongs are unexpectedly crossed by quick snippets of rattling percussion. “The Axiom of Equality”, a duet with Taborn, showcases evolving timbral textures through fragmented, free-flowing drum and cymbal patterns, while Taborn, choosing not to hear the drum track beforehand, meanders unpredictably, embracing pure spontaneity.

Potter’s commanding saxophone presence is felt on “Weaving Loom”, where his expansive tenor lines bring richness and contrast to Strønen’s shimmering brushwork after a contemplative opening. On “Ephemeral”, Potter switches to soprano, channeling an explosive energy that intertwines seamlessly with Strønen’s propulsive rhythms, achieving a palpable symbiotic intensity.

Langeland introduces Nordic folk elements on “Koyasan”, blending the delicate tones of the kantele with Strønen’s sensitive rhythmic flourishes and unexpected stream. On “Nemesis”, she enjoys a more fluid rhythmic arc, while on “Beginners Guide to Simplicity” she uses her clear, evocative voice, adding a distinct dimension to it.

Rossy’s piano contributions span three tracks. While his restrained, light touch on “Nonduality” may feel less impactful, he captivates on “Ishi”, where a number of low-register blows evokes a mysterious ambiance, and “KMJ”, a piece of harmonically palpable introspection with subtle, persuasive movement. Known primarily as a drummer, Rossy impresses here with his pianistic sensibilities.

Relations eschews conservatism, offering unexpected surprises and intimate dialogues between Strønen’s broad rhythmic vocabulary and his collaborators’ distinctive voices. Although sounding off-beat at times, this work reflects the spirit of innate improvisers, unafraid to present something refreshingly different.

Favorite Tracks:
02 - The Axiom of Equality ► 03 - Weaving Loom ► 08 - Ephemeral ► 12 - KMJ

Label: Otherly Love Records, 2023

Personnel - Anthony Pirog: guitar, guitar synth; Nels Cline: guitar; John Frusciante: monomachine; Luke Stewart: electric bass; Andy Summers: guitar; Janel Leppin: pedal steel guitar; Brandon Ross: guitar; Wendy Eisenberg: guitar; Ryan Ferreira: guitar.

Washington D.C.-based guitarist and composer Anthony Pirog, known for his work with the post-punk trio The Messthetics, showcases his broad stylistic vision, taste for experimentation, and interest in sound and texture on his latest recording, Nepenthe Series Vol. 1. Pirog, who bridges guitar and electronics with aural surrealism and imagination, invited collaborators to send him original ambient tracks, which he then recorded on top of, resulting in a remarkable blend of ethereal and sinister soundscapes.

For the opener, “Ripples of Light”, he welcomed the excellent guitarist Nels Cline, with whom he layers floating, sustained chords in order to describe a wintry picturesque stillness that makes us speechless. Mysterious and slightly ominous tones suddenly emerge in the last quarter, but they feel more awe-striking than austere, enhancing the overall ambiguity and droning details.

“Aurora”, featuring Red Hot Chili Peppers guitarist John Frusciante on Elektron Monomachine, arrives with buzzing drones and dial frequencies chattering in the background. They duo carries mysterious found-sounds for a little too long, evoking a distant planet with labyrinthine alleys and corners worth to discover. “Dense Blazing Star”, created with bassist Luke Stewart, incorporates electronic dance music influences, while “Bernal Heights”, a layered solo effort by Pirog, combines a bit of the Pet Shop Boys’ melodic expertise with the dark burbling and clouding obscurity in the music of Bill Laswell and Wadada Leo Smith.

With The Police’s ex-guitarist Andy Summers on board, “Inflorescence” exposes a brilliant two-guitar work reminiscent of Robert Fripp and The King Crimson’s art-rock with hints of goth and glam rock. The melody is wonderful and the texture perceptible for a compelling song format.

The song titles aptly capture the music's essence, and if we have Arvo Part’s dark choral ambiances mixed with Steve Reich’s minimalism on “Glowing Gestures”, which features Pirog’s wife Janel Leppin on pedal steel guitar, then we can enjoy two different guitar-driven atmospheres on “Night Winds” and “The Eternal River”. The former, featuring Wendy Eisenberg, is heavier and denser due to distortion and noise; the latter, with Tim Berne’s Snake Oil’s guitarist Ryan Ferreira, immerses listeners in emotion-laden surroundings, closing the album on an ethereal note.

With a dazzling array of layers and effects, Pirog's work on Nepenthe Series Vol. 1 is a testament to his artistry and extraordinary sound judgment.

Favorite Tracks:
01 - Ripples of Light ► 02 - Aurora ► 04 - Inflorescence