Label: UniSono Records, 2025
Personnel - Matthias Schubert: tenor saxophone; Matthias Müller: trombone; Matthias Bauer: double bass; Reinhard Brüggemann: drums.
Berlin Art Quartet was formed in 2013 to flesh out and invigorate the improvisational range of its creative members, drawing inspiration from 1960s recordings by the New York Art Quartet under the direction of Danish free jazz saxophonist John Tchicai. Founded by drummer Reinhard Brüggemann, the group features saxophonist Matthias Schubert, trombonist Matthias Müller, and bassist Matthias Bauer. Live at MIM consolidates the quartet’s shared passion for free jazz and improvisation, exploring carefully sculpted timbres, unpredictable jolts, and raw intersections that feel completely in-the-moment.
“Up-Crash” unfolds as mosaic-like tangle, with Bauer and Brüggemann—using arco and textural nuance—laying an open-ended harmonic bed for the melodic exchanges of Schubert and Müller. The frontline players interact with a dynamic mindset, engaging in a dialogue of questions and answers, sometimes insisting, and then departing from an idea to another with nimble reflexes. They conclude the piece soaring in tandem.
“Motion in Silence” is shaded with muted trombone, regular if sparse bass nodes, understated percussion gradually swelling with the present of cymbals, and extended techniques on tenor sax. These elements coalesce into a form of modernist abstraction. In contrast, “Gang of Four” erupts into a staggering improvisational sprint, full of unexpected turns and sonic collisions, while “Hymn” reorganizes the chaos with cerebral droning ominousness and pitching-contrast melodic fustigaton, feeling less processional or ritualistic than initially implied.
In “Mutuality”, the album’s longest track at 15:18, the quartet navigates a series of kinetic shifts and subtleties. Incisive saxophone paths intersect with agile bass noodling before a cohesive motion takes shape. These antic, form-blurring impulses are carried by the trombone and tenor, whose interplay always leaves space for development or counteraction. Bauer’s bowed bass lines deepen the mystery with brooding resonance, and the number concludes with brisk dynamics, in an amplification of sound that doesn’t really require aural adjustment.
Berlin Art Quartet can throw flames in one minute and showcase a more ruminative behavior in the next. Regardless of the mood, it consistently champions open terrain to be explored without constraint.
Favorite Tracks:
01 - Up-Crash ► 04 - Gang of Four