Joe Lovano & Dave Douglas' Sound Prints - Other Worlds

Label: Greenleaf Music, 2021

Personnel - Joe Lovano: tenor saxophone; Dave Douglas: trumpet; Lawrence Fields: piano; Linda May Han Oh: bass; Joey Baron: drums

sound-prints-other-worlds.jpg

Sound Prints, the all-star quintet spearheaded by the titanic tenor saxophonist Joe Lovano and the formidable trumpeter Dave Douglas, releases its third full-length album, this time featuring only original compositions by the leaders but still inspired by the musical temperament and style of the legendary saxophonist Wayne Shorter. However, exploring such an impactful legacy takes the two composers to new places in the company of a multi-generational trio of rhythmic backers and accomplished soloists, namely pianist Lawrence Fields, bassist Linda May Han Oh and veteran drummer Joey Baron.

Space Exploration”, the first part of Lovano’s Other Worlds Suite, first spins with spiritual consciousness and then allures our sonic palate with crisp unisons that leave room for Baron’s stable drum fills. The bass initiates a swinging route that serves the excellence of Lovano’s vertiginous ins and outs, just before Oh starts off a line of thought herself. Her impressive bass work is put on halt immediately after, when Douglas rides high on top of an adept accompaniment provided by piano and drums. Concluding the series of improvisations, Lawrence dovetails whirling figures and works on classical-inspired movements that incessantly land in the right places.

The ensemble often passes the idea of free-form exploration but never really loses the sense of structure. That’s evident in pieces touching the borders of post-bop and avant-garde, like Douglas’ “Life On Earth”, a tour-de-force that incorporates dashes of funk, bendable horn stretches, and a modal property that easily recalls the Miles Davis Quintet from the 1960’s. Moreover, the name Miles in the title of Lovano’s “Sky Miles” might not have been by chance; it’s a mighty jab into ingenious post-bop that also falls into the Shorter/Davis’ bag. 

The Flight”, the third movement of Lovano’s above-named suite (nonsequential on the album’s track list), teems with playful lyricism and smoldering horn exchanges that form a kaleidoscopic sheet of sound. It all plays out under a springy, waltzing articulation.

Douglas’ fascination for the ancient past and its major figures is bespoke in two of his pieces: “Antiquity to Outer Space”, whose modern creative traits are shaded with wafts of chamber music, and “Pythagoras”, a polyrhythmic stunner in which we find the musicians pushing and prodding each other in an effort to go beyond themselves.

Baron’s brushed textures and sizzling cymbals propel “Manitou” with the help of a coruscating bass churn. This is a ballad in six that produces plenty of melody via the elegant dance between muted trumpet and tenor saxophone.

There’s a relaxed assurance to the entire set that stems from the experience of the collective. The musicianship involved here is outstanding, resulting in a work of great impact that deserves enthusiastic commendation.

Grade A

Grade A

Favorite Tracks:
01 - Space Exploration ► 03 - Life On Earth ► 06 - The Flight


Joe Lovano & Dave Douglas' Sound Prints - Scandal

Label: Greenleaf Music, 2018

Personnel – Joe Lovano: tenor and soprano saxophones; Dave Douglas: trumpet; Lawrence Fields: piano; Linda May Han Ho: bass; Joey Baron: drums.

sound prints-scandal.jpg

Dave Douglas and Joe Lovano, two incredible composers/arrangers and stalwarts in the art of playing trumpet and saxophone, respectively, co-lead the Wayne Shorter-inspired quintet Sound Prints, for which they composed original material. Their high caliber rhythm section - pianist Lawrence Fields, bassist Linda May Han Ho, and drummer Joey Baron - spends time creating intuitive bounces that would better serve the soloists while solidifying rapport. Scandal was released on Douglas' Greenleaf Music imprint and marks the band’s first studio session, following Sound Prints - Live at Monterey Jazz Festival, released on Blue Note Records in 2015.

The album’s opener is Douglas’ “Dream State”, a 5/4-metered piece whose magnificent groove underpins a pungent, gospel-inflected motif uttered with conjoint twin-like sympathy by the horn alliance. Subsequently, it becomes two separate lines that burst in a soulful combination of timbre and vocabulary. The trumpeter shows off his wide range and authority while the saxophonist engages in those inimitable, sinuous phrases that are as strapping as they are dizzying.

On Lovano’s bop-fueled “High Noon” and “The Corner Tavern”, the quintet dwells in a state of buoyant elegance. If the former swings uptempo, then the latter conquers with a calypso-like groove, featuring the horn players exchanging improvised lines with edgy moves and logic sequence. Han Ho and Fields also show their affirming soloing skills before re-entering the final theme section, while Baron edits his percussive jabs to wonderful moderation.

Full Sun” and “Full Moon” are contrasting in tone and essence since the former, in opposition to the lyric, spacious, and quizzical latter, is an elated post-bop ride typically structured with flexible solos from bass, saxophone, and trumpet. 

Shorter’s “Fee-Fi-Fo-Fum” and “JuJu” are equal parts inventive and reverent, and the band brings them back to life with very satisfying rhythmic ideas and melodic peculiarities. Shades of the honored saxophonist are also present on the beautiful title track, which adds some Miles and Coltrane to the mix, and also on the dreamy ballad “Ups and Downs”, both products of Douglas’ creative mind.

This is a great comeback from Sound Prints, whose effervescent and sagacious playing sounds pretty damn good.

       Grade A-

       Grade A-

Favorite Tracks:
01 - Dream State ► 02 - Full Sun ► 09 - Full Moon