Label: Earshift Music, 2026
Personnel - Stephen Byth: tenor saxophone, clarinet, flute, bass clarinet; Yessaï Karapetian: piano, synth; Simón Willson: upright bass; Angus Mason: drums; Alexandra Ridout: trumpet (#4,6,8,9); Alfredo Colón: alto saxophone (#4,6,8,9); Caleb Smith: trombone (#4,6,8,9); John Ellis: bass clarinet (#4,6,8,9).
Australian multi-reedist and composer Stephen Byth, now based in New York, releases his sophomore album as a leader, Growth in Stasis, in the company of pianist Yessaï Karapetian, bassist Simón Willson, and drummer Angus Mason. Guest horn players allow for an extended frontline on specific pieces, playing a central role by delivering their own statements in addition to coloring the main themes. The album, a set of ten original compositions influenced by modern jazz, classical music, film scoring, and subtle electronics, took shape from a conversation during a workshop with Wayne Shorter, who responded to Byth’s question, “How do you turn poison into medicine through your music?”, with “The poison is the medicine”.
The concise yet powerful “Speed of Thought” sets for a captivating opening where we feel the urgency of the piano trio, later turned sumptuous by Byth’s burnished saxophone arrival. “All Is Not Lost” offers a delicate texture within thoughtful storytelling, without dispensing with interesting accentuations and a fine rhythmic balance. Also evoking airy balladry, “The Light Is Everything” brings to mind Billy Strayhorn’s tunes before entering a Coltrane-and-Tyner-esque modal mode. The bandleader layers the tapestry with flute and clarinets.
Post-bop with a cinematic flair results from “Cutting Ties”, featuring generous impressions by trumpeter Alexandra Ridout and bass clarinetist John Ellis, while the title track puts a warm spotlight on altoist Alfredo Colón before plunging into counterpoint and juxtaposition. “Freedom” is laid down with confidence and taste, embracing a tango-ish cadenza, and “Time Is Now” offers a punchy, hopeful head with notable solos by trombonist Caleb Smith and Byth on tenor.
Declaratively Shorter-esque, “New Eyes” assumes a charmingly relaxed vibe, culminating in a memorable finale, while “Illusions” becomes classically sweetened yet streaked with some notes of poignancy.
Capable of both introspective and outgoing moments, and finding a raison d’être between space and tight interaction, Byth nods to Shorter but keeps his own composed instincts alive.
Favorite Tracks:
04 - Cutting Ties ► 08 - Time Is Now ► 09 - Growth In Stasis