Label: ECM Records, 2019
Personnel - Stephan Micus: kalimba, fourteen-string guitar, steel string guitar, duduk, bass duduk, Tibetan cymbals, sinding, dondon, nay, Indian cane whistles, vocals.
Stephan Micus is a key reference in the world music scene. His thematic albums allow us to discover new places and sounds and White Night, the 23rd solo work for ECM, takes us into another journey full of musical idiosyncrasies. Operating several quirky instruments with deep focus, Micus starts this excursion in the East with the primitive, ancient, and eternal contemplation “The Eastern Gate”, which proposes atonality and deep hollow textures, and ends in the West with the well-delineated movements and robust rhythmic cadence of “The Western Gate”. Both tunes feature five 14-string guitars (a Micus trademark), one bass duduk (Armenian drone instrument taken to another level by Micus), and Tibetan cymbals, but while the former incorporates a more conventional steel string guitar, the latter employs one sinding (West African harp with five strings made of cotton).
The ten-stage route encompasses “The Bridge”, where vocalized chants echo on top of the vibes produced by four bronze kalimbas (they come from four different African countries) and sinding, “The River”, crossed with timely percussive rattles and lovely duduk melancholy, and a “Black Hill”, whose exotic groove feels like a song of praise for mother Earth. The latter number piles up eight Indian cane whistles and a nay (ancient Egyptian hollow reed flute) and make them dance harmoniously over the raw pulse established by a couple of dondon, the ‘talking-drum’ from Ghana.
This recording was inspired by the moonlight and its special magic. Hence, the sight of “Fireflies” and the presence of the “Moon” itself are intrinsic parts of the scenario, authentic anticlimactic balms for this busy, technological world we’re immersed in. The former composition emanates a warm African breeze created by 22 layers of sound that include pitch-clear vocals, kalimba, sinding, and Indian cane whistles. In contrast, “Moon” is told in only one voice with the lonely sounds of duduk arching over the silence. This piece, together with “All The Way”, a kalimba solo, was recorded in just one take.
Micus continues his spiritual celebration of cultural diversity through imaginative, humble music.
01 - The Eastern Gate ► 03 - The River ► 10 - The Western Gate