Allison Miller / Carmen Staaf - Nearness

August 2, 2022

Label: Sunnyside Records, 2022

Personnel - Allison Miller: drums; Carmen Staaf: piano.

On Nearness, a new recording that lives up to its name, drummer Allison Miller and pianist Carmen Staaf reconnect with the magnetic energy of their debut duo album, Science Fair (Sunnyside, 2018). Boasting a special chemistry that remains fun-lovingly intact, the duo shows a tremendous adaptability to any sort of modern jazz, presenting eight originals - three by Miller and five by Staaf - and two covers.

The lead-off track, “Dan Dan”, a product of Miller’s compositional creativity, is soulful, elegant and driving. In complete control of the kit, the drummer combines different parts to create warm and catchy sounds, while Staaf effortlessly accomplishes textures and tempos. They know exactly which type of sound suits each piece and do it tastefully.

Miller’s searching “Top Shelf” is another great illustration of their capabilities, kicking off rubato but advancing with surprising findings for an avant-garde meets post-bop delivery. This number, having a triple time feel conducting its rhythmic impetus, was originally recorded on Parlour Game, a 2019 album by Miller and violinist Jenny Scheinman, in which Staaf is also featured. Another piece retrieved from that album and included here is “Beans and Rice”, in which angular melodic traits combine with the swinging flow; we can hear Monk and Duke Ellington or, in other instances, Don Cherry and Oscar Peterson.

Staaf shows a strong affinity for the blues, contributing “Blue Thrush”, which is underpinned with selective percussive elements, and also “New York Landing”, whose twelve bar cycle in plain 4/4 allows for well seasoned chops. However, it was “Birds” that better worked out, a fluid popish song with magic in the interplay and traces of The Beatles and Keith Jarrett, which suddenly evolves to a Latin thrust before its dreamy ending.

Taste overrides technique, and the rendition of the jazz standard “The Nearness of You” is silky-smooth, sensual and exotic. On the other hand, Monk’s indelible ballad “Ask Me Now” doesn’t need much more than its sculptural melody to captivate. Nearness is an agreeable album sure to leave you with more gratification than before you start listening to it.

Favorite Tracks:
01 - Dan Dan ► 03 - Top Shelf ► 06 - Birds

Allison Miller / Carmen Staaf - Science Fair

September 17, 2018

Label: Sunnyside Records, 2018

Personnel – Carmen Staaf: piano; Allison Miller: drums; Matt Penman: bass; Dayna Stephens: tenor saxophone; Ambrose Akinmusire: trumpet.

Science Fair marks a successful collaboration between drummer Allison Miller and pianist Carmen Staaf, both accomplished musicians and composers. The album, produced by the avant-garde clarinetist Ben Goldberg, flourishes with great musical choices and dynamic interplay. Each tune, regardless of the group configuration, displays an attractive jazz-rock hybridity that sparkles with genuine vitality.

Miller’s “What?!” suggests a kaleidoscopic avant-garde explosion before a cool drum beat takes over. Agreeable yet challenging melodies are delivered by illustrious trumpeter Ambrose Akinmusire and saxophonist Dayna Stephens, both inventive soloists. Mood and rhythm are subjected to changes, impeccably designed by Miller, Staaf, and bassist Matt Penman, who rounds out the rhythm section. Together, they coordinate effervescent pulses, thick grooves, and dizzying undertows.

The horn players become fully active once again on “Weightless”, a triple-metered piece that starts rambunctiously rhythmic, shining with pinpointed piano-bass articulations and lyric improvisations from sax, bass, piano, and trumpet. Not all of them are delivered under the same mood, and Akinmusire’s tremulous and lachrymose dissertation demands careful contemplation at the end.

The elegiac “Symmetry” sheds rich, emotional chord passages, featuring the pianist in the pinnacle of her lyricism. Her methodical dark voicings pair with Miller’s intelligent, multi-timbral drum chops, setting the perfect tone for Stephens’ poignant exhortation.

The band is reduced to a classic piano trio configuration for “Ready Steady”, which explores the shapes of space and rhythm with easygoing melodies surrounding the shimmering brushwork of the drummer and the tireless if undeviating trajectories of the bassist, who improvises upfront. However, Staaf dares to thrill by going through rowdy angular contortions at the same time that liberates delicious fragrances of Monk's music in the air. The bandleaders refuse additional accompaniment for the Latin-tinged duet “MLW” (a tribute to pianist Mary Lou Williams), which they eke out with an acute sense of timing. The song recalls “Caravan” in a crossing between Dizzy’s exotic spells and Jessica Williams’ rhythmic punches.

Staaf speaks sophisticated idioms on her breezy “Nobody’s Human”, a jazzy straight-eight piece with a fine melodic figure at the center; and on “West of the Moon”, a contrafact on the jazz standard “East of The Sun”, whose serpentine patterns perpetuate a certain uncertainty about which path to take: rock or swinging jazz? She ends up mixing both before the definitive installation of a frantic, combustible rhythm with Miller in absolute command.

And “Skyway” is a honey-toned ballad that closes out the album with minimalist fashion, featuring Penman in a double front: theme’s statement and improvisation.

Miller and Staaf's openness to exploration and their knowledge of jazz tradition allow great interactions to occur, with the rest of the members integrating this fantastic, hook-filled project with commitment and fun. The sonic aesthetics pack a punch, luring you in when you least expect it.

Favorite Tracks:

01 - What?! ► 03 – Ready Steady ► 07 – West Of The Moon

Will Bernard - Out & About

January 3, 2017

Will Bernard: guitar; John Ellis: saxophone; Brian Charette: organ; Ben Allison: bass; Allison Miller: drums.

The new material designed by the Brooklyn-based jazz guitarist Will Bernard, a Grammy-award nominated (with Party Hats in 2007), was built up with the esteemed contribution of reliable musicians.
The stylistic openness evinced by Bernard along his career allowed him to work in such a different projects with names like Tom Waits, Jai Uttal, Dr. Lonnie Smith, Charlie Hunter, and Peter Apfelbaum.
Both these experiences, together with his very own personal touch and vision, brought positive effects to his ninth album, Out & About, a solid effort that precisely reveals his broad range of expression.

Nothing better to start than a wha-wha guitar, saturated with soul and funk elements, laid out on a cheerful bass-drums groove. This is what happens in “Happy Belated”, the first track of the album that features fulgurant improvisations by Bernard and Ellis. This pair of ramblers is in evidence again in “Next Guest”, an avant-garde settlement whose head relies on a strong motivic figure.
Rich in tempo variations, “Habenera” changes the mood completely, becoming harmonically oriented by Charette’s organ and perceptively accentuated by the adroit rhythm section.

Typical jazz idioms return in “Redwoods”, an up-tempo, elated tune where all the performers have the opportunity to expand their personal creativity, as well as in “Homeward Bound”, a tune infused with a cool rock atmosphere, and “Homebody”, a sneaky creation of pacific contours.
“Suggested Reading”, a volatile and vagrant ramble ideally conceived for Bernard’s uncompromising explorations, also showcases Ben Allison’s soloing expertise, while “Full Sweep” suggests a Latin feel swept by Ellis’ spontaneity. The album finishes with the elegant title track, holder of a tango-ish sparkle and beautiful melody, but only after “Pan Seared”, a sensitive ballad adorned with Miller’s concise brushwork.

Uncomplicated, agreeable, and passionate, are three adjectives that, applied simultaneously, better define Out & About.