Punkt.Vrt.Plastik - Somit

Label: Intakt Records, 2021

Personnel - Kaja Draksler: piano; Petter Eldh: bass; Christian Lillinger: drums.

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At once programmatic and free, the innovative trio Punkt.Vrt.Plastik is also known for having equal parts muscularity and flexibility woven into textures that prove to be tightropes to walk. Pianist Kaja Draksler (here playing two different upright pianos), bassist Petter Eldh and drummer Christian Lillinger draw their sounds from many sources, creating a melting pot of originality, groove and rhythmic fluidity that takes them to distinguished places in the European avant-garde scene.

Somit, the follow-up to their accomplished 2018 debut, starts off with “Helix GA”, a swift demonstration of the trio’s tenacity, rhythmic unpredictability and style. Here, quick-tempered propulsions alternate with calculated fragmentation topped by well-placed piano accents. 

If Asked” sluggishly crawls with a rhythmic cadence that finds encouragement in a piano figure that gradually merges with improvised ideas, eventually dissolving. As a matter of routine, there are pointillistic stresses and fractured surfaces.

Draksler’s bracing piano work on “Membran” is outstanding and comes with swirling figures as well as perfectly executed runs and parallels, all placed over a loose-limbed dance that swings when perhaps least expected. Another piece that swings hard after completion is “Natt Raum”, a motivic and playful electronic-inspired exercise, while “Ribosom” also experiences some of it before falling into other types of groove.

More rhythmic than melodic, the group ventures outside typical patterns without jeopardizing the organic synthesis and tonal balance that make their music so ear-catching. This extraordinary capability is revealed throughout. The short-lived title track, for instance, seems to gleam from the electro-jazz universe to remain in its state of trance. Conversely, Lillinger’s “Amnion” brings more jazz-inspired chordal work to the fore in addition to cross-rhythmic stimuli and occasional polyphonic lines that flirt with dissonance. 

Enbert Amok” and “Trboje” are both throbbing and riddling. The former conserves something primitive in the rhythm, being buckled down with compulsive, chromatic movements and a percussive statement mainly focused on the snare and bass drums. In return, the latter piece assembles a cerebral matrix filled with Monk’s lyrical acuteness and some of Stockhausen’s visionary possibilities. 

This is clever, hard-to-resist modern creative music with high levels of detail and accuracy, confirming Punkt.Vrt.Plastik as one of the top jazz trios on the scene. 

Grade A

Grade A

Favorite Tracks:
01 - Helix GA ► 02 - If Asked ► 05 - Amnion

Kaja Draksler / Petter Eldh / Christian Lillinger - Punkt.Vrt.Plastik

Label: Intakt Records, 2019

Personnel - Kaja Draksler: piano; Petter Eldh: bass; Christian Lillinger: drums.

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The European trio composed of Slovenian pianist Kaja Draksler, Swedish bassist Petter Eldh, and German drummer Christian Lillinger definitely deserves several listenings and wider recognition due to an urgent, empathetically modern sound that transpires focus, freedom, and craft. Their album Punkt.Vrt.Plastik is vividly recommended for the ones who love elaborate textures, rhythmic disjunctions, patterned lyricism, and maturely conspired ambiances with intelligent crosscurrents in the instrumentation.

Lillinger’s “Nuremberg Amok” opens the album as a beautiful deconstruction with a strong polyrhythmic feel and swift fragmented phases that often repeat. A nuanced sense of tempo and engrossing fluidity are constant presences.

Evicted” is the only composition penned by Draksler, evolving in a spectacular way and conveying the uncertainty and distress that an eviction may suggest. Ambiguity and some sadness are mixed in Draksler's lines, which causes an impressive effect whenever the hair-raising low notes are blended with shrilling pointillism to form strange musical mosaics. She has this very special way to deal with space. Is the following intervallic melodicism a synonym of resignation? Ponderation, for sure! Apart from her choices, Eldh concludes with a resonant bass foray replete of pizzicato technique.

Happy and carefree, “Punkt Torso” is marked by a classical lyricism that takes a bit more reflective intonation on “Life is Transient” and an exquisite modernization on “Momentan”, achieved through additional patterned elements that seem taken from electronica.

Both “Azan” and “Plastic” appear with fidgeting, broken beats expressed with dry and wet tones. However, while the former circulates angular melody, the latter advocates lullaby-ish lines and crawling dark drones, after a nearly two-minute drum solo.

Eldh and Lillinger are members of Amok Amor, a quartet with saxophonist Wanja Slavin and trumpeter Peter Evans, and their well-established rapport is valued by the independent Draksler, who knows how to merge into their rhythmic entanglement with finesse. The shape shifting “Body Decline” is another wonderful example of brilliance, put together with assertive noir brushstrokes and that beautiful tension/resolution dichotomy. Eldh penned it.

Reinventing themselves to escape any sort of pre-determined norms, the trio crafts an aesthetically bold work that will make you dive into their music, and remain indefinitely.

Grade A

Grade A

Favorite Tracks:
01 - Nuremberg Amok ► 02 - Evicted ► 06 - Body Decline