Ben Goldberg / Todd Sickafoose / Scott Amendola - Here to There

Label: Secret Hatch Records, 2024

Personnel - Ben Goldberg: clarinet; Todd Sickafoose: bass; Scott Amendola: drums.

Clarinetist Ben Goldberg, bassist Todd Sickafoose, and drummer Scott Amendola join forces to form a truly collaborative trio of progressive jazz luminaries. Each has been a significant presence in the creative music scene for decades, excelling as both inventive bandleaders and masterful sidemen. While they’ve played together in various contexts, Here to There marks their first endeavor as a trio, delivering a collection of originals inspired by the bridges of Thelonious Monk’s compositions. Abstracting with virtuosity and dexterity, the trio creates refined avant-garde jazz artworks within a musical universe that feels entirely their own.

The album kicks off with Sickafoose’s “In Walked”, a piece harmonically rooted in Monk’s “In Walked Bud”. From the outset, the trio immerses listeners in quick, cyclic clarinet patterns—occasionally hinting at the original melody—accompanied by screeching cymbals and loose bass notes that lock into a 5/4 groove. Goldberg’s expressive clarinet playing exudes heart and vibrancy, while Amendola’s nuanced drumming, complete with surprising colorations and tasteful electronics, adds depth. The drummer also contributes three versions of his “Lion Heart,” with the first presented as a clarinet-and-drums duet.

Self Evident”, drawn from Monk’s “Evidence”, ventures into experimental territory with a polyrhythmic modernism that includes hip-hop-inspired beats, sparse bass gestures, and reflective clarinet improvisations. The piece evolves into a ritualistic soundscape as Amendola incorporates layered percussion, Sickafoose provides a constant bass pulse, and Goldberg stretches his melodic explorations. 

Sickafoose also contributes “Sad Trophy” and “Interospection”, inspired by Monk’s “Epistrophy” and “Introspection”, respectively. “Sad Trophy” is propelled by a 2/4 bass motif, rattling shaker rhythms, and dry cymbal accents, with Goldberg’s incantatory clarinet soaring above. “Interospection”, on the other hand, unfolds with a slow, spaced-out groove that gradually builds intensity while maintaining an undercurrent of tension.

Goldberg’s three compositions—“Porch Concert Material 9”, “Porch Concert Material 2”, and “Porch Concert Material 6”—highlight his distinct approach. The first offers speech-like patterns with motivic ebbs and flows; the second juxtaposes classical undertones, swinging bass lines, and conversational drumming; and the third delivers a beautiful, balladic melody with understated elegance.

This trio spreads a fantastic vibe, and every choice made works like a charm. Here to There offers elevated music, sure to leave listeners in a great mood.

Favorite Tracks:
01 - In Walked ► 02 - Self Evident ► 05 - Sad Trophy


Todd Sickafoose - Bear Proof

Label: Secret Hatch Records, 2023

Personnel - Ben Goldberg: clarinet; Kirk Knuffke: cornet; Jenny Scheinman: violin; Adam Levy: guitar; Erik Deutsch: piano; Rob Reisch: accordion; Todd Sickafoose: bass; Allison Miller: drums.

15 years after the release of his must-listen album Tiny Resistors (CryptoGramophone, 2008), American bassist, composer and producer Todd Sickafoose puts out another fantastic long-form octet effort, Bear Proof. This commissioned work, recorded at one continuous take and intended to be played straight-through, allows his ambitious tones and wealth of ideas come to full fruition with the help of creative musicians. Supported by a super busy frontline of deft improvisers such as cornetist Kirk Knuffke, clarinetist Ben Goldberg and violinist Jenny Scheinman, Sickafoose also ensures a resourceful rhythm section with guitarist Adam Levy, pianist Erik Deutsch, accordionist Rob Reisch, and the rock-steady drumming of Allison Miller.

The Gold Gate” serves as an inviting opener, relying on a formidable collision of chamber riffage and a magnetic beat that further matures into a pulsing 11-beat cycle. ‘This is mighty fine’, we think, but there’s still time to enjoy Scheinman’s agile fiddle playing before grand piano chords take us to “Bent to Shape”. The latter number, strangely conveying hastiness without really rushing things, has Goldberg and Deutsch working closely before finishing in febrile avant-garde excitement. 

Sickafoose patterned his groove in quintuple meter for “Switched On”, which highlights Knuffke and Scheinman in the improvisation department. Under their feet, texture and intensity keep changing without affecting the overall balance. On a different note, the cheery and playful “Flush” gets off the ground with wide piano jumps, handing out solos (from Goldberg and Scheinman) built around passionate harmonic accompaniment. It concludes with deep bass reflections over a drone proposed by violin and accordion.

The fluid musical states emerge, evolve, and sometimes expand before segueing into another theme that, like the previous ones, are part of this dynamic musical body. While “Boom Bust Start Up” explodes in epic colors with clear allusions to blues and rock ’n’ roll, “Turns Luck” is orchestrated with meditative depth, achieving a chilled-out atmosphere. Also floating in repose are “Magnetic North” and “Reverse Fortune”, American folk-induced ballads with prominent guitar work. The former piece, definitely a favorite, morphs unexpectedly into a quiet vamp enhanced by Knuffke’s incredible command of the cornet. How beautifully he sounds here!

Sickafoose is adroit at composing, directing, and framing the sprawling energies of a music that was about time to see the light of day. 

*** Note: we had the pleasure to hear this music live at Winter JazzFest 2020 in New York City - check it out here: https://jazztrail.net/winter-jazzfest-2020-manhattan-marathon-1-nyc-jan-10/

Favorite Tracks: 
01 - The Gold Gate ► 03 - Switched On ► 05 - Magnetic North